Section B2 is my favorite part of the piece. For this section I still used the motives as the melody, which also repeated four times. However, this part has used the whole motive as melody however only half motive has been used in the previous part.
In Section B2, although the motive repeats four times, each time sounds differently. For the first time, four male tracks play the same motive together are applied with different affects. Then, for the second time, three male tracks play together. Then two male tracks play together for the third time and on male track play for the final one.
This is how each male track being applied with the affects:
Male track 1:
Male track 2:
Male track 3:
Male track 4:
txin1724 